نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه مطالعات عالی هنر،. دانشکده هنرهای تجسمی، دانشکدگان هنرهای زیبا، دانشگاه تهران، تهران، ایران
2 گروه مطالعات عالی هنر، دانشکده هنرهای تجسمی، دانشکدگان هنرهای زیبا، دانشگاه تهران، تهران، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
This article examines death-thinking in Iranian cinema from the perspective of the film-as-philosophy. It argues that films do not merely represent death at the level of theme, but constitute a mode of cinematic reflection on death. Employing a descriptive-analytical method, the study first reviews the theoretical literature on the relationship between film, philosophy, and death-thinking. It then draws on approaches in the philosophy of film to formulate the possibilities of cinematic philosophizing at two interrelated levels: the intra-filmic and the extra-filmic. At the intra-filmic level, narrative and formal elements enable films to pose questions about death, construct arguments, and offer responses. At the extra-filmic level, intertextuality and paradoxes provide the conditions for expanding the field of the film’s thought. Aesthetic perception is also examined in relation to the possibility of films engaging in philosophical activity.This framework is applied to selected examples from Iranian cinema, including Travellers, Pari, Taste of Cherry, The Last Step, and Fish & Cat. The analyses show that these works do not treat death merely as a theme; rather, they organize it as a problem and, through formal, narrative, aesthetic, and intertextual elements, generate the possibility of a distinct mode of cinematic death-thinking.
کلیدواژهها [English]
)