نوع مقاله : مقاله پژوهشی
نویسندگان
1 استادیار دانشگاه تربیت مدرس
2 کارشناسی ارشد کارگردانی دانشکده هنر دانشکاه تربیت مدرس
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Peter Brook, as a theater director, has a circle of wide and varied and sometimes conflicting experiences, which directly lead to the introduction of Immediate theater. This research examines the ideas of Jan Katt about Shakespeare's contemporaneity, which had a significant impact on changing the way directors like Brook looked at Shakespeare in the 20th century. A look that points out the contemporization and finding the contemporary present in these works. Then, it examines and analyzes the elements of Immediate theater and Brook's methods in his performances of Shakespeare's works. The present research has been done with the descriptive-analytical research method and the library-documentary research tool method. Performances of The Tempest and The Tragedy of Hamlet, both composed during the immediate theater period, are examined, and Brook's methods and adaptations according to Jan Katt ideas are discussed. In The Tempest brook used play and game, in the literal sense of the word, so the magic of Shakespeare world finds meaning for modern audience. In The Tragedy of Hamlet, brook demonstrates the height of his ideas about Immediate theater and tries to create a universal yet faithful performance of Hamlet for contemporary audience. The most important issues of this research are the explanation of the difference between contemporary and traditional attitudes towards Shakespeare's works in the shadow of present element of the Katt ideas and the examination of the elements of immediate theater, explaining their relationship with the present of Katt and their comparison with the traditional ways of performing Shakespeare.Performances of The Tempest and The Tragedy of Hamlet, both composed during the immediate theater period, are examined, and Brook's methods and adaptations according to Jan Katt ideas are discussed. In The Tempest brook used play and game, in the literal sense of the word, so the magic of Shakespeare world finds meaning for modern audience. In The Tragedy of Hamlet, brook demonstrates the height of his ideas about Immediate theater and tries to create a universal yet faithful performance of Hamlet for contemporary audience. The most important issues of this research are the explanation of the difference between contemporary and traditional attitudes towards Shakespeare's works in the shadow of present element of the Katt ideas and the examination of the elements of immediate theater, explaining their relationship with the present of Katt and their comparison with the traditional ways of performing Shakespeare.Brooke's arrangements and methods in The Tempest and Tragedy of Hamlet show how to remove the historical distance created between the audience and the classical text. Immediate Theatre qualities remove or reduce the historical elements and values of the play in favor of direct connection to the audience. These qualities create what Katt referred to as present. Brooke's arrangements and methods in The Tempest and Tragedy of Hamlet show how to remove the historical distance created between the audience and the classical text. Immediate Theatre qualities remove or reduce the historical elements and values of the play in favor of direct connection to the audience. These qualities create what Katt referred to as present.
کلیدواژهها [English]
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