نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشگاه علامه طباطبائی
2 پژوهشگر آزاد
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
In psychology and especially from Freud's point of view, the purpose of analyzing the content of a text - in its general sense - is to identify the goals, values, culture, and tendencies of its author or creator, and the unconscious recognition of the work - the film - is intended. This process is classified under a branch of psychology, i.e. the psychology of art, which will be discussed further. The content analyst in cinema pays great attention to the content of meaning transfer. Despite the not very long life of the art of cinema, the approach to the category of the psyche in films has been imprinted in the historical background of today's society and this issue has shown the potential of the art of cinema for research in the field of psychology. As Alfred Hitchcock, as the most prolific filmmaker, has depicted psychological themes in his works, especially in the language of the main characters of his films. This analyst knows that for a filmmaker to be successful in his communication with the audience, he must classify the way of conveying the meanings of his message and apply them in special situations. Qualitative content analysis is one of the valid methods in scientific research. This method has gradually become one of the main research approaches in the field of psychology, especially in the psychology of art, from the second half of the 20th century onwards. The purpose of this research is to qualitatively analyze the content of some of Alfred Hitchcock's movies, based on the theories of Sigmund Freud. The research method is content analysis with a qualitative approach, focusing on Freud's personality theory, and analyzing three films - Rope, Psycho, and Vertigo - from Hitchcock's works as a statistical population. The method of selecting films (sampling) is based on selection and thematic-narrative proximity, as well as having the most analytical indicators (analytical and semantic units-exploratory categories based on Freud's opinions) based on the main questions of the research and in a purposeful and non-random manner. The research tool includes analysis units, meaning units, content areas, and categories of analysis, which were presented and measured in an exploratory (library and audio-visual) way based on Freud's opinions. The results and findings of the research indicate the realization of the main goal and sub-goals of the research, as follows: The centrality of analyzing the hidden content of films, determining the main characters in each film as the unit of analysis, determining the sequences of the presence of the main characters as the unit of meaning, and finally, determining the two categories of instincts and anxiety as the main categories. Also, the extraction of two key content areas called personality structure and personality levels has been done by relying on Freud's theory. It is expected that the research results will be applied and useful in the process of psychological analysis of cinematic works, improving the level and status of qualitative content analysis, and finally, expanding interdisciplinary studies in the field of art and psychology.
کلیدواژهها [English]
)