نوع مقاله : مقاله پژوهشی
نویسندگان
1 استادیار دانشگاه تهران، گروه مطالعات عالی هنر، دانشکده هنرهای تجسمی، دانشکدگان هنرهای زیبا، دانشگاه تهران، تهران، ایران
2 دانشجوی کارشناسی‌ارشد سینما، دانشگاه کمال‌الملک نوشهر، ایران، نوشهر
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
modernity with break from tradition foot to arena but in the period of postmodernism Results and elements It was questioned and revised. After overcoming the arrogance of modernism, contemporary man faced a situation of protest and change. In the new era, the inability of language and the complexity of the world from a human perspective have caused the intermingling and transformation of concepts and the eclecticism of meanings and content in works of art. The emergence of the idea of postmodernism since the 1960s, along with very comprehensive and profound developments in America and Europe, spread and affected various cultural and artistic fields. The postmodern period is basically based on the break from ideology, revolution, ideals and the general idea of the modern world, and it rebels against the traditions and modernist perspective. Cinema has also evolved as a dynamic media in the world affected by the components of postmodernism. Cinema an epidemic phenomenon with a global and influential audience, Cinema tried to consciously redefine concepts and questions left over from the modern world with its own tools and language in addition to entertainment. cinema post Modern from the most important shapes an expression culture today and the product and production done society postmodern is. discourse Post period modern with Components Because break Time, collapse macro narratives, intertextuality, Absence Certainty and from between to go the border reality and art in The 90s have been represented in the cinema according to various. Postmodern film is often considered a self-aware movement, in the sense that it is aware of its artistic and media limitations, and at the same time seeks to break free from its constraints. support and mistrust to Concepts and components the world modern and Narratives macro, from between to go idea genre in cinema post modern and break from cinema classic and modern from Results with to come cinema post modern is. Iranian cinema is not an exception, and the examination of postmodern components in it seems to be important and necessary. Despite the traditional view in the country and the conflict between tradition and modernity, cinema Iran also It has been affected by the post-modern situation and filmmakers have tried to show the post-modern world in some of their works. In some works of Abbas Kiarostami and Asghar Farhadi, despite the completely different narrative and intellectual worlds, elements of postmodern cinema can be traced. studying how to use postmodern elements in expressing concepts and creating a filmic world is the focus of this research. Therefore, the main problem of the current research is to investigate the components of postmodern cinema in Iranian cinema. In this research, we intend to study and analyze three films of contemporary iranian cinema in the name of sweet films, seller, which is what elements or elements of postmodern cinema and how they use it and make the world a film of them, they are completely different from form and content to understand better and better understanding of works.
کلیدواژه‌ها [English]
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