Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts and Music is a double-blind peer-reviewed, open access, quarterly journal which publishes theoretically and empirically research on all topics of theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, new media, aesthetics, art philosophy and pedagogy. The journal introduces a wide range of performing art and recorded art topics with historical and contemporary perspectives. Accepted papers often reflect critical and comparative analysis. Our target audience include academicians, art educators, students, and artistic and performing communities at large. The submitted papers will be published after peer review and upon the approval of the editorial board. Journal of Fine Arts was originally published in 1995 to cover all aspects of art and was divided into three journals in 2009 with Journal of Fine Arts: Performing Arts and Music focusing on performing arts and music. Researchers may directly visit this site, register, submit and set up their papers based on author’s guidelines. This journal is known as "Honar-Ha-ye-Ziba: Honar-Ha-ye-Namayeshi va Moosighi" in the Persian language.

Email: fineartj@ut.ac.ir

• Journal Title: Journal of Fine Arts: Performing Arts and Music

• Country of Publication: Iran, Tehran.

• Publisher: University of Tehran Press

• Subject Area: theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, and new media

• Format: Print and Online

• Print ISSN: 6012-2228

• Online ISSN: 7422-2676

• Frequency: Quarterly

• Language: Persian, including extended English abstracts and bibliographies

• Open Access: Yes, free access to articles

• Article types: Research and review papers

• Primary Review: 10 days, approximately

• Peer Review Policy: Double-blind peer-review

• Average refereeing time:  8 weeks

• Plagiarism Detection Mechanism: Through Irandoc

• Acceptance percentage: 20%

• Article Processing Charges: No

• Citation Style: The APA referencing style

• Website: https://jfadram.ut.ac.ir

• E-mail: fineartj@ut.ac.ir

• Tel: +98-2166415282

• Indexing & Abstracting: E-LIS Eprints, EBSCO, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.

• COPE: Journal of Fine Arts: Performing Arts and Music follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.

• Copyright: Authors retain unrestricted copyrights and publishing rights.

• Type of License: CC BY-NC - Creative Commons.

• Required files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. The main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.

 

 

                  

 

 

Current Issue: Volume 31, Issue 3, Autumn 2026 

Keywords Cloud

  • animation
  • Cinema
  • Iranian Classical Music
  • Music
  • iranian cinema
  • Form
  • phenomenology
  • Identity
  • Intertextuality
  • Rhythm
  • Audience
  • Iranian Music
  • Acculturation
  • Akbar Radi
  • myth
  • Architecture
  • philosophy
  • Mode
  • Narrative
  • dramatic literature
  • Language
  • Representation
  • Shakespeare
  • Film
  • Walter Benjamin
  • Postmodernism
  • Alienation
  • Ibsen
  • Ideology
  • Realism
  • tragedy
  • Asghar Farhadi
  • Mikhail Bakhtin
  • Dastgāh
  • Education
  • Theater
  • Martin Heidegger
  • theatre
  • Bahram Beyzaie
  • Gilles Deleuze
  • Organology
  • Radif
  • death
  • Mise-en-scene
  • Mimesis
  • Iranian Plays
  • National Identity
  • Composition
  • Aeschylus
  • Play
  • creation
  • Painting
  • silence
  • Music iconography
  • Bahram Beizai
  • iconography
  • Merleau-Ponty
  • Characterization
  • Semiotics
  • Globalization
  • Samuel Beckett
  • Iranian Theatre
  • Harmony
  • Pedagogy
  • Quartal Harmony
  • critical discourse analysis
  • embodiment
  • Video Game Studies
  • Comparative Study
  • Ebrahim Golestan
  • uncanny
  • Performance Art
  • eye tracking
  • Sharif Lotfi
  • Aesthetics
  • Uncertainty
  • Content analysis
  • Brand
  • Desire
  • Interactive Narratives
  • Bakhtin
  • Stage Design
  • power
  • Freud
  • Film Production
  • John Dewey
  • Filmfarsi
  • Jacques Lacan
  • Dialogism
  • Abbas Kiarostami
  • Experimental Animation
  • Julia Kristeva
  • Persian Classical Music
  • King Lear
  • interaction
  • Image
  • acting
  • Character
  • drama
  • Sound
  • Creative Drama
  • Cinema Technology
  • Alain Badiou
  • Improvisation
  • Kurdistan music
  • Notation
  • Jung
  • Narratology
  • Dariush Mehrjui
  • Archetype
  • Visual Aesthetics
  • pedagogical theatre
  • John Cage
  • Anime
  • Speech
  • Fantasy
  • Scenic Design
  • Development
  • Hannah Arendt
  • Memory
  • Decoupage
  • Movement
  • Opera
  • Arthur Miller
  • Temporality
  • Gardzienice
  • Safavid period
  • Metaphor
  • Religion
  • Tahrir
  • sociology
  • Puppet Theater
  • Dastgah
  • Peace
  • shadow
  • Performance Anxiety
  • House
  • Naghmeh Samini
  • Hayao Miyazaki
  • Dastgahi music
  • Macbeth
  • Sigmund Freud
  • Female Hero
  • Husserl
  • Functionalism
  • Reality
  • Dodecaphony
  • Comedy
  • Performance
  • Aristotle
  • Persian painting
  • Expressionism
  • Iranian Vocal Music
  • Hamlet
  • Meter
  • Post-phenomenology
  • Michel Foucault
  • Musical Instrument
  • Musical Instruments
  • University of Tehran
  • Gérard Genette
  • objects
  • Kolahmakhmali Cinema
  • sarkhane
  • Martial Musical Instruments in Miniatures
  • The Holy Cast
  • Hamoon
  • Pandora\'s Curiosity
  • \"oud - Barbat\"
  • Iranian New Wave Cinema
  • anthropomorphism
  • Animism
  • Donatoni
  • African American Literature
  • fascism
  • Arundo donax
  • Conscience Malheureuse
  • Sonnet
  • Samâ
  • Kurdistan province
  • anti-hero
  • Thematic Translate
  • Keywords: Philosophy of Film
  • Description
  • Johann Stamitz
  • Naghali
  • Modern Scenography
  • Ta’zieh
  • Likeness
  • obstacles of choral music
  • Tombak
  • Serialism
  • Play and Culture
  • risk management
  • adaptation
  • Synthetic fibers
  • Marg dar Paeez
  • The Observer Body
  • Visual structure
  • Fairclough