First Pages

Pages 1-3

• Editorial
• PDF 242.62 K

“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân)

Pages 81-91

10.22059/jfadram.2017.62971

Maryam Chalesh; Hooman Asa’di

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A Comparative Study of Tar Making Templates in Iran

Pages 93-101

10.22059/jfadram.2017.62972

Maryam Ghaemi

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• PDF 1.52 M

Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011

Pages 103-114

10.22059/jfadram.2017.62973

Sajad Sotoudeh; Ahmad Alasti; Mohammad Jafar Yousefian Kenari

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• PDF 1.68 M

An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh

Pages 115-123

10.22059/jfadram.2017.237896.615101

Atefeh Einali; Seyyed Hossein Meysami

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• PDF 1.19 M

The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre

Pages 125-135

10.22059/jfadram.2017.237898.615102

Farindokht Zahedi; Behrooz Mahmoodi-Bakhtiari; Saied Assadi

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• PDF 527.59 K

Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan

Pages 137-145

10.22059/jfadram.2017.62976

Assadollah Gholamali; Ali Sheikhmehdi

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Phenomenological Approach to Perception of Audience in Puppet Theater

Pages 147-154

10.22059/jfadram.2017.237902.615104

Mohammad Bagher Ghahremani; Poupak Azimpour Tabrizir; Somayeh Mirzahosseini

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• PDF 905.58 K

An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera

Pages 155-167

10.22059/jfadram.2017.62978

Roham Shenassa

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• PDF 3.24 M

English Abstracts

Pages 1-8

• Editorial
• PDF 548.1 K