Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts and Music is a double-blind peer-reviewed, open access, quarterly journal which publishes theoretically and empirically research on all topics of theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, new media, aesthetics, art philosophy and pedagogy. The journal introduces a wide range of performing art and recorded art topics with historical and contemporary perspectives. Accepted papers often reflect critical and comparative analysis. Our target audience include academicians, art educators, students, and artistic and performing communities at large. The submitted papers will be published after peer review and upon the approval of the editorial board. Journal of Fine Arts was originally published in 1995 to cover all aspects of art and was divided into three journals in 2009 with Journal of Fine Arts: Performing Arts and Music focusing on performing arts and music. Researchers may directly visit this site, register, submit and set up their papers based on author’s guidelines. This journal is known as "Honar-Ha-ye-Ziba: Honar-Ha-ye-Namayeshi va Moosighi" in the Persian language.

Email: fineartj@ut.ac.ir

• Journal Title: Journal of Fine Arts: Performing Arts and Music

• Country of Publication: Iran, Tehran.

• Publisher: University of Tehran Press

• Subject Area: theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, and new media

• Format: Print and Online

• Print ISSN: 6012-2228

• Online ISSN: 7422-2676

• Frequency: Quarterly

• Language: Persian, including extended English abstracts and bibliographies

• Open Access: Yes, free access to articles

• Article types: Research and review papers

• Primary Review: 10 days, approximately

• Peer Review Policy: Double-blind peer-review

• Average refereeing time:  8 weeks

• Plagiarism Detection Mechanism: Through Irandoc

• Acceptance percentage: 20%

• Article Processing Charges: No

• Citation Style: The APA referencing style

• Website: https://jfadram.ut.ac.ir

• E-mail: fineartj@ut.ac.ir

• Tel: +98-2166415282

• Indexing & Abstracting: E-LIS Eprints, EBSCO, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.

• COPE: Journal of Fine Arts: Performing Arts and Music follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.

• Copyright: Authors retain unrestricted copyrights and publishing rights.

• Type of License: CC BY-NC - Creative Commons.

• Required files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. The main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.

 

 

                  

 

 

Current Issue: Volume 31, Issue 3, Summer 2026 

Keywords Cloud

  • animation
  • Cinema
  • Iranian Classical Music
  • Music
  • iranian cinema
  • Form
  • phenomenology
  • Intertextuality
  • Audience
  • Rhythm
  • Identity
  • Iranian Music
  • Acculturation
  • Narrative
  • Representation
  • Architecture
  • Akbar Radi
  • myth
  • dramatic literature
  • Walter Benjamin
  • Shakespeare
  • Language
  • Mode
  • philosophy
  • Film
  • Realism
  • tragedy
  • Ideology
  • theatre
  • Mikhail Bakhtin
  • Dastgāh
  • Play
  • Gilles Deleuze
  • Alienation
  • Ibsen
  • Theater
  • Film Production
  • Aeschylus
  • Education
  • Organology
  • Bahram Beyzaie
  • Asghar Farhadi
  • Mise-en-scene
  • Radif
  • Mimesis
  • Composition
  • Postmodernism
  • National Identity
  • death
  • Iranian Plays
  • Heidegger
  • Painting
  • silence
  • Characterization
  • Desire
  • Music iconography
  • Anime
  • power
  • Semiotics
  • Jacques Lacan
  • Opera
  • Samuel Beckett
  • Sharif Lotfi
  • Image
  • Quartal Harmony
  • Merleau-Ponty
  • critical discourse analysis
  • Uncertainty
  • Video Game Studies
  • Comparative Study
  • Cinema Technology
  • Performance Art
  • Ebrahim Golestan
  • acting
  • Aesthetics
  • eye tracking
  • Archetype
  • embodiment
  • Content analysis
  • Harmony
  • Julia Kristeva
  • King Lear
  • Abbas Kiarostami
  • Memory
  • Dariush Mehrjui
  • Martin Heidegger
  • Bakhtin
  • Brand
  • Pedagogy
  • Dialogism
  • Bahram Beizai
  • Globalization
  • Persian Classical Music
  • iconography
  • John Dewey
  • Filmfarsi
  • interaction
  • uncanny
  • Character
  • Narratology
  • drama
  • creation
  • Alain Badiou
  • Creative Drama
  • Notation
  • Kurdistan music
  • Jung
  • Improvisation
  • Sound
  • Interactive Narratives
  • Visual Aesthetics
  • Michel Foucault
  • John Cage
  • Speech
  • Fantasy
  • Scenic Design
  • Development
  • Experimental Animation
  • Hannah Arendt
  • Stage Design
  • Decoupage
  • Dodecaphony
  • Movement
  • Gardzienice
  • Safavid period
  • Iranian Theatre
  • Metaphor
  • Macbeth
  • Religion
  • sociology
  • Puppet Theater
  • Dastgah
  • Peace
  • shadow
  • Performance Anxiety
  • House
  • Hayao Miyazaki
  • Naghmeh Samini
  • Dastgahi music
  • Female Hero
  • Tahrir
  • Sigmund Freud
  • Husserl
  • Arthur Miller
  • Functionalism
  • Reality
  • Temporality
  • Comedy
  • Meter
  • Aristotle
  • Expressionism
  • Performance
  • Iranian Vocal Music
  • Hamlet
  • Persian painting
  • Post-phenomenology
  • pedagogical theatre
  • Musical Instrument
  • University of Tehran
  • Musical Instruments
  • Gérard Genette
  • objects
  • Freud
  • Ghosting
  • Kolahmakhmali Cinema
  • Landscape Theatre
  • Layers of Interpretation
  • sarkhane
  • Martial Musical Instruments in Miniatures
  • Martin McDonagh
  • The Holy Cast
  • Hamoon
  • Pandora\'s Curiosity
  • Iranian New Wave Cinema
  • anthropomorphism
  • Animism
  • \"oud - Barbat\"
  • Conscience Malheureuse
  • Donatoni
  • African American Literature
  • fascism
  • Sonnet
  • Samâ
  • Arundo donax
  • Kurdistan province
  • anti-hero
  • Keywords: Philosophy of Film
  • Description
  • Johann Stamitz
  • Thematic Translate
  • Likeness
  • Inexpressibility
  • Naghali
  • Modern Scenography
  • Tombak
  • Serialism
  • Ta’zieh
  • adaptation
  • risk management
  • Visual structure