Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts and Music is a double-blind peer-reviewed, open access, quarterly journal which publishes theoretically and empirically research on all topics of theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, new media, aesthetics, art philosophy and pedagogy. The journal introduces a wide range of performing art and recorded art topics with historical and contemporary perspectives. Accepted papers often reflect critical and comparative analysis. Our target audience include academicians, art educators, students, and artistic and performing communities at large. The submitted papers will be published after peer review and upon the approval of the editorial board. Journal of Fine Arts was originally published in 1995 to cover all aspects of art and was divided into three journals in 2009 with Journal of Fine Arts: Performing Arts and Music focusing on performing arts and music. Researchers may directly visit this site, register, submit and set up their papers based on author’s guidelines. This journal is known as "Honar-Ha-ye-Ziba: Honar-Ha-ye-Namayeshi va Moosighi" in the Persian language.

Email: fineartj@ut.ac.ir

Journal Title: Journal of Fine Arts: Performing Arts and Music

Country of Publication: Iran, Tehran.

Publisher: University of Tehran Press

Subject Area: theatre, drama, cinema, radio, classical and contemporary music, traditional Persian music, performing arts, and new media

Format: Print and Online

• Print ISSN: 6012-2228

• Online ISSN: 7422-2676

• Frequency: Quarterly

• Language: Persian, including extended English abstracts and bibliographies

• Open Access: Yes, free access to articles

• Article types: Research and review papers

• Primary Review: 10 days, approximately

• Peer Review Policy: Double-blind peer-review

• Average refereeing time:  8 weeks

Plagiarism Detection Mechanism: Through Irandoc

• Acceptance percentage: 20%

• Article Processing Charges: No

• Citation Style: The APA referencing style

• Website: https://jfadram.ut.ac.ir

• E-mail: fineartj@ut.ac.ir

• Tel: +98-2166415282

• Indexing & Abstracting: E-LIS Eprints, EBSCO, SID, Noormags, Magiran, Iran Journals, Google Scholar, Academia, Linkedin, Researchgate, etc.

• COPE: Journal of Fine Arts: Performing Arts and Music follows the policies and guidelines of the Committee on Publication Ethics (COPE) and abides by its Code of Conduct in dealing with potential cases of misconduct.

• Copyright: Authors retain unrestricted copyrights and publishing rights.

• Type of License: CC BY-NC - Creative Commons.

• Required files to be uploaded: Five essential files must be submitted through the manuscript submission system: 1. The main file of the manuscript (without the names of the authors), 2. Title page in the mentioned format, 3. Authorship form (must include the title of the article and the name and surname of all authors and be signed by all authors), 4. Conflicts of Interest form (must be signed by the Corresponding Author and uploaded with the article file), and 5. Cover letter.

 

 

                  

 

 

Current Issue: Volume 31, Issue 2, Spring 2026 

Plausible Scenarios for Iranian Theater on the 2041 Horizon

Pages 9-25

10.22059/jfadram.2025.402027.616126

Majid Sarsangi, Maghsoud Farastkhah, Ahad Rezayan Ghayehbashi, Mhmoud Fathollahi

Keywords Cloud

  • animation
  • Cinema
  • Music
  • Iranian Classical Music
  • iranian cinema
  • phenomenology
  • Form
  • Audience
  • Intertextuality
  • Identity
  • Rhythm
  • Akbar Radi
  • Architecture
  • philosophy
  • Film
  • Mode
  • Walter Benjamin
  • myth
  • Acculturation
  • Shakespeare
  • Iranian Music
  • dramatic literature
  • Language
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  • Iranian Plays
  • Asghar Farhadi
  • Gilles Deleuze
  • Play
  • Bahram Beyzaie
  • Composition
  • Realism
  • tragedy
  • Organology
  • Ibsen
  • Aeschylus
  • Education
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  • Mikhail Bakhtin
  • Mise-en-scene
  • Ideology
  • Mimesis
  • Radif
  • Film Production
  • Alienation
  • death
  • theatre
  • Representation
  • Dastgāh
  • Julia Kristeva
  • iconography
  • Tahrir
  • Content analysis
  • Quartal Harmony
  • Fantasy
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  • objects
  • Uncertainty
  • Alain Badiou
  • Video Game Studies
  • Dodecaphony
  • Persian Classical Music
  • creation
  • National Identity
  • Musical Instruments
  • Expressionism
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  • John Cage
  • critical discourse analysis
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  • pedagogical theatre
  • Scenic Design
  • Religion
  • Character
  • Gardzienice
  • Performance Art
  • eye tracking
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  • King Lear
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  • Arthur Miller
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  • Experimental Animation
  • Musical Instrument
  • Merleau-Ponty
  • shadow
  • Cinema Technology
  • Gérard Genette
  • Ebrahim Golestan
  • power
  • Notation
  • Comparative Study
  • Bahram Beizai
  • Interactive Narratives
  • Hamlet
  • Dialogism
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  • sociology
  • Stage Design
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  • Hayao Miyazaki
  • Narratology
  • Comedy
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  • Sound
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  • University of Tehran
  • Aristotle
  • Performance Anxiety
  • Meter
  • Painting
  • Filmfarsi
  • Image
  • Opera
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  • Globalization
  • Kurdistan music
  • interaction
  • Sharif Lotfi
  • Creative Drama
  • Performance
  • Improvisation
  • Heidegger
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  • Michel Foucault
  • Samuel Beckett
  • John Dewey
  • Music iconography
  • Dariush Mehrjui
  • drama
  • Functionalism
  • Jacques Lacan
  • Jung
  • Macbeth
  • Post-phenomenology
  • Characterization
  • Martin Heidegger
  • Postmodernism
  • Peace
  • Naghmeh Samini
  • Pedagogy
  • Abbas Kiarostami
  • Bakhtin
  • Speech
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  • tele-theatre
  • Radio Drama
  • Interpretation
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  • Context
  • Timurid
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  • Surrealism
  • the Double
  • Disability
  • Fine arts
  • Social Exclusion
  • Production Manager
  • woman
  • Al-Masoudi
  • Landscape Theatre
  • Martial Musical Instruments in Miniatures
  • Anthropological concepts
  • Children and teenagers
  • Pandora\'s Curiosity
  • Meyerhold
  • kar
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  • Art Creation
  • Neuroscience of cinema
  • Seven Short Plays
  • Perception
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  • Dianoia
  • Martin McDonagh
  • fascism
  • The other
  • Iranian dramatic literature
  • Symbiosis
  • Applied Theatre
  • Samâ
  • \"oud - Barbat\"
  • Shakespeare’s Comedies