Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts & Music

Keyword Index
A
  • Abdullah Davami The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
  • Abnormal Body Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
  • Acculturation Cultural Disjuncture and Music Among the Second Generation of Afghan Immigrants in Iran [Volume 30, Issue 3, 2025, Pages 59-70]
  • Adolescents Creative Drama in Verbal Skill Training: A Case Study of 13–15-Year-Old Boys in Robat Karim, Iran [Volume 30, Issue 3, 2025, Pages 21-30]
  • Afghan diaspora Cultural Disjuncture and Music Among the Second Generation of Afghan Immigrants in Iran [Volume 30, Issue 3, 2025, Pages 59-70]
  • Ali Mohammad Khan Oveysi The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
  • American music The Evolution of The Loanword “Jazz” In Music Of Iran [Volume 30, Issue 3, 2025, Pages 71-82]
  • Animism Psychoanalytic Reading of Tall Shadows of the Wind (1979): Freud’s Uncanny in Iranian Cinema [Volume 30, Issue 3, 2025, Pages 45-58]
  • Aporia The Aporia of Reality/Imagination: Uncertainty in Selected Iranian Monodramas and Surrealist Dramas [Volume 30, Issue 2, 2025, Pages 7-18]
  • Aramseyeshgah The existentialist concept of creative boredom in the play Aramsaysehgah written by Bahman Forsi [Volume 30, Issue 1, 2025, Pages 19-29]
B
  • Bahman Forsi The existentialist concept of creative boredom in the play Aramsaysehgah written by Bahman Forsi [Volume 30, Issue 1, 2025, Pages 19-29]
  • Bahram Beyzaie The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
  • Big Fish The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
C
  • Character A Comparative Study of Recurring Patterns of Patterns Of Villains and Anti-Heroes in Coco and Dolphin Boy Animations [Volume 30, Issue 4, 2025, Pages 53-67]
  • Charlie Kaufman Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
  • China film industry Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
  • Cinema The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
  • Cinema economy Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
  • Cinema techniques Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
  • Cinema Technology The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [Volume 30, Issue 1, 2025, Pages 61-70]
  • Communicative Skills Creative Drama in Verbal Skill Training: A Case Study of 13–15-Year-Old Boys in Robat Karim, Iran [Volume 30, Issue 3, 2025, Pages 21-30]
  • Composition A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
  • Creative Drama Creative Drama in Verbal Skill Training: A Case Study of 13–15-Year-Old Boys in Robat Karim, Iran [Volume 30, Issue 3, 2025, Pages 21-30]
  • Cultural Identity Cultural Disjuncture and Music Among the Second Generation of Afghan Immigrants in Iran [Volume 30, Issue 3, 2025, Pages 59-70]
D
  • David Cronenberg Analyzing the Concept of “Abjection” in David Cronenberg’s Cinema With an Emphasis on Female Characters Based on the Theory of Julia Kristeva [Volume 30, Issue 4, 2025, Pages 31-40]
  • Deconstruction The Aporia of Reality/Imagination: Uncertainty in Selected Iranian Monodramas and Surrealist Dramas [Volume 30, Issue 2, 2025, Pages 7-18]
  • Digital theatre Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
  • Dog's Heart Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
  • Don Ihde The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [Volume 30, Issue 1, 2025, Pages 61-70]
E
  • Everything Will Go You Won’t Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [Volume 30, Issue 3, 2025, Pages 7-20]
  • Existentialism The existentialist concept of creative boredom in the play Aramsaysehgah written by Bahman Forsi [Volume 30, Issue 1, 2025, Pages 19-29]
  • Experimental study in film Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
F
  • Fancy The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
  • Farhad Fakhredini A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
  • Film financing Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
  • Film Music From The Desert’s Shepherds to Atabai: Hossein Alizadeh’s Melodic Structure in Film Music [Volume 30, Issue 4, 2025, Pages 41-52]
  • Film Production Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
  • Film Score From The Desert’s Shepherds to Atabai: Hossein Alizadeh’s Melodic Structure in Film Music [Volume 30, Issue 4, 2025, Pages 41-52]
  • Funding body Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
G
  • Gilbert Durand The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
H
  • Hamlet The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Hannah Arendt Acts of Visibility in Toopkhaneh Square during the Qajar Era as a Performative Stage Based on the Political Thought of Hannah Arendt [Volume 30, Issue 3, 2025, Pages 31-44]
  • Hans-Thies Lehmann Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [Volume 30, Issue 3, 2025, Pages 7-20]
  • Honeymoon Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
  • Hossein Alizadeh From The Desert’s Shepherds to Atabai: Hossein Alizadeh’s Melodic Structure in Film Music [Volume 30, Issue 4, 2025, Pages 41-52]
  • House Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
  • Hybrid body Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
I
  • Immediate Theater The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Inner Plot Representation The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
  • Inter-subjectivity Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
  • Iranian Music A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
  • Iranian Plays The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
J
  • Jan Katt The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Julia Kristeva Analyzing the Concept of “Abjection” in David Cronenberg’s Cinema With an Emphasis on Female Characters Based on the Theory of Julia Kristeva [Volume 30, Issue 4, 2025, Pages 31-40]
K
  • Kofi Agawu A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
L
  • Loanwords The Evolution of The Loanword “Jazz” In Music Of Iran [Volume 30, Issue 3, 2025, Pages 71-82]
M
  • Melodic parallel The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
  • Melodic Structure From The Desert’s Shepherds to Atabai: Hossein Alizadeh’s Melodic Structure in Film Music [Volume 30, Issue 4, 2025, Pages 41-52]
  • Mendelssohn concerto A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
  • Metaphor Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
  • Meter The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
  • Metonymy Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
  • Mirza Abu al-Hasan Khan Foroughi The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
  • Mixed-Reality Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
  • Monology Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [Volume 30, Issue 3, 2025, Pages 7-20]
  • Music Cultural Disjuncture and Music Among the Second Generation of Afghan Immigrants in Iran [Volume 30, Issue 3, 2025, Pages 59-70]
N
  • Naghmeh Samini The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
  • New York Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
P
  • Peter Brook The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Phenomenology of illness Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
  • Philosophy of Technology The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [Volume 30, Issue 1, 2025, Pages 61-70]
  • Play The existentialist concept of creative boredom in the play Aramsaysehgah written by Bahman Forsi [Volume 30, Issue 1, 2025, Pages 19-29]
  • Poetic cinema Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
  • Postdramatic Theatre Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [Volume 30, Issue 3, 2025, Pages 7-20]
  • Post-phenomenology The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [Volume 30, Issue 1, 2025, Pages 61-70]
  • Post-phenomenology Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
  • Prince of Sorrow Postdramatic Elements in Mohammad Charmshir’s Plays: Applying Lehmann’s Framework to Everything Will Go You Won’t and Prince of Sorrow [Volume 30, Issue 3, 2025, Pages 7-20]
Q
  • Qajar Iran Acts of Visibility in Toopkhaneh Square during the Qajar Era as a Performative Stage Based on the Political Thought of Hannah Arendt [Volume 30, Issue 3, 2025, Pages 31-44]
  • Quantitative method in film Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
R
  • Representation of Violence The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [Volume 30, Issue 1, 2025, Pages 61-70]
  • Rimini Protokoll Performing Hybrid Bodies on the Mixed-Reality Stage [Volume 30, Issue 4, 2025, Pages 69-81]
  • Romantic drama The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
S
  • Scansion The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
  • Sharif Lotfi A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
  • Shiudosh and Naheed The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
  • Sigmund Freud Psychoanalytic Reading of Tall Shadows of the Wind (1979): Freud’s Uncanny in Iranian Cinema [Volume 30, Issue 3, 2025, Pages 45-58]
  • Spectrum model Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
  • Structural analysis A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
  • Synecdoche Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
T
  • Theatricality Acts of Visibility in Toopkhaneh Square during the Qajar Era as a Performative Stage Based on the Political Thought of Hannah Arendt [Volume 30, Issue 3, 2025, Pages 31-44]
  • The Fate of Parviz The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
  • The Tempest The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Timothy Walter Burton The Structures of Fancy in Big Fish Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
  • Toopkhaneh Square Acts of Visibility in Toopkhaneh Square during the Qajar Era as a Performative Stage Based on the Political Thought of Hannah Arendt [Volume 30, Issue 3, 2025, Pages 31-44]
  • Trauerspiel The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
V
  • Verbal Skills Creative Drama in Verbal Skill Training: A Case Study of 13–15-Year-Old Boys in Robat Karim, Iran [Volume 30, Issue 3, 2025, Pages 21-30]
  • Visual metaphor Translation of conceptual metaphor in the language of images in poetic cinema With a look at Charlie Kaufman's film synecdoche New York [Volume 30, Issue 4, 2025, Pages 7-20]
  • Vocal music The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
W
  • Walter Benjamin The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [Volume 30, Issue 4, 2025, Pages 21-30]
  • William Shakespeare The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
  • Winter 66 Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]