Journal of Fine Arts: Performing Arts & Music

Journal of Fine Arts: Performing Arts & Music

Keyword Index
A
  • Adolph Appia Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
  • Aerophones The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Alexander Technique The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Antonin Artaud Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
  • Arthur Miller "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • Avesta THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
B
  • Breathing Mechanism The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
C
  • Characterization The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Chardin Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Child The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
  • Children Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
  • Cinema Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Cinema Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
  • Comedy Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Commedia dell'arte Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Comparative Study Pedagogic theatre: a comparative study [Volume 2, Issue 39, 2011, Pages 79-86]
  • Concomitant A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
  • Cultural Environment Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
D
  • Darkness Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
  • David Lynch Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
  • Death of a Salesman "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • Decoupage Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Dialectic Method The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
  • Draxt ? ?s?r?g Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
  • Dynamic Interactive teaching The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
E
  • Educate The Educational Values of Children`s Theatre [Volume 2, Issue 40, 2011, Pages 65-72]
  • Education Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Ethnic Musicology. Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
  • Extempore embellishments A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
F
  • Film ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
  • Free radical space THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
G
  • G?s?n Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
H
  • Hamoon Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Hegel The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
  • Hieros Gamos Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
  • Historical performance practice A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
I
  • Ibsen The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Ideology Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Individualistic The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Intellectual Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Iranian Kurdish Ethnic Pivotal themes in ethnomusicology of Iranian kurds [Volume 2, Issue 40, 2011, Pages 27-38]
  • Iranian Theatre Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
K
  • Kaempfer Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
L
  • Light Investigating the ratio of light, shadow, and darkness in the theater before and after Adolph Appia [Volume 2, Issue 41, 2011, Pages 33-42]
  • Logic The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
  • Logical Idea The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
M
  • Melodic ?q?? An analysis and definition of "?q?? " and "Vazn" (meter) with an observation of the treatises of the 3rd to 9th AH centuries [Volume 2, Issue 39, 2011, Pages 55-60]
  • Middle Class Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Mime Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
  • Mimesis The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Mise-en-scene Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Montage Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Multimedia Art Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • Music The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
  • Music A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
  • Music ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
  • Musical Instruments Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Music Instruments Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
N
  • Narrative Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Natural fibers Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
  • New Comedy Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Ney The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Nietzsche The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
O
  • Odessa Steps Sequence ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
  • Old Comedy Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Organology Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
P
  • Payw?zag Guftan Dramatic Signs in Draxt ? ?s?r?g “The Babylonian Tree” [Volume 2, Issue 39, 2011, Pages 33-44]
  • Performing Methods Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • Persian Mythology The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Pierce "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • Playing Ney The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Poem A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
  • Polymeric Composites Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
Q
  • Qina A survey on Qina in singing based on Iranian musical articles (comparing “non-illegality of Qina in essence” theory with the content of Iranian song) [Volume 2, Issue 39, 2011, Pages 87-95]
R
  • Realism Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
  • Realistic Characters The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Realistic Theatre Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
  • Reality Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
  • Review and Analytic Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
  • Rhythm ODESSA STEPS AND MUSIC: A READING INTO “STRUCTURAL UNITY” [Volume 2, Issue 40, 2011, Pages 5-16]
  • Rig Veda THE MEANING OF PHILOSOPHICAL DIALOGUE IN RIG VEDA AND AVESTA [Volume 2, Issue 40, 2011, Pages 39-48]
  • Roman Comedy Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Romantic Art The Relation between Romantic Music and Logical Idea in Hegel’s Thought [Volume 2, Issue 39, 2011, Pages 25-32]
S
  • Safavid period Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • Screenwriting The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Second Signification Iranian Cinema Representing the Intellectual Challenges of Middle Class Society “1980’s and the Semiotics of Hamoon” [Volume 2, Issue 39, 2011, Pages 5-12]
  • Semiotics "Semiotics of dramatic characters name in the plays Death of a Salesman" [Volume 2, Issue 39, 2011, Pages 13-23]
  • ShabihKhani The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Shahnameh Shahnameh And The Filmic Aspects Its [Volume 2, Issue 40, 2011, Pages 85-97]
  • Shia The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Sonority of Ney The Function of the Respiratory System in Playing the Ney: Suggestions for Tone Development [Volume 2, Issue 40, 2011, Pages 17-26]
  • Space Design Management Environmental Design and Space Design Management in Animation, Educational &Analytical Approach [Volume 2, Issue 41, 2011, Pages 43-50]
  • Storyboard The Role of Dynamic Interactive Teaching in Learning of Animation Screenwriting [Volume 2, Issue 41, 2011, Pages 13-22]
  • Storytelling with Picture (Pardeh-khani) Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • STYLIZED Stylized reality in contemporary realistic theatre [Volume 2, Issue 39, 2011, Pages 69-77]
  • Symbolic Characters The Impact of Zoroastrian Mythology on Ibsen's Plays Through Nietzsche’s Thus spoke Zarathustra [Volume 2, Issue 39, 2011, Pages 61-68]
  • Synthetic fibers Polymeric Composites as Alternatives for Wood for Producing Music Instruments [Volume 2, Issue 41, 2011, Pages 5-12]
T
  • Taqulid Western and Iranian Major Forms of Comedy: A Comparative Research [Volume 2, Issue 40, 2011, Pages 73-84]
  • Tashabboh The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Ta'zieh The Problematic concept of "Tashabboh" and why "Ta'zieh" has been named "Shabih-Khani" [Volume 2, Issue 39, 2011, Pages 45-54]
  • Telemann A practical guide to Extempore Embellishments, based on Telemann Methodic sonatas [Volume 2, Issue 41, 2011, Pages 51-58]
  • Theater Cruelty Rethinking of Artaud’s “Cruelty” in David Lynch’s Cinema [Volume 2, Issue 41, 2011, Pages 59-70]
  • Traditional Theatre Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as a Multimedia Art [Volume 2, Issue 41, 2011, Pages 71-78]
  • Travel Account Musical Instruments of the Safavid Period according to Kaempfer and Chardin [Volume 2, Issue 41, 2011, Pages 23-32]
  • TV audience On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]
  • TV production On the Structure of Tele Theatre in Iranian Television [Volume 2, Issue 40, 2011, Pages 49-64]