1. First Pages

Pages 1-3

• Editorial
• PDF 242.62 K

2. “Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân)

Pages 81-91

Maryam Chalesh; Hooman Asa’di

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• PDF 768.59 K

3. A Comparative Study of Tar Making Templates in Iran

Pages 93-101

Maryam Ghaemi

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• PDF 1.52 MB

4. Development of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011

Pages 103-114

Sajad Sotoudeh; Ahmad Alasti; Mohammad Jafar Yousefian Kenari

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• PDF 1.68 MB

5. An Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh

Pages 115-123

Atefeh Einali; Seyyed Hossein Meysami

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• PDF 1.19 MB

6. The Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre

Pages 125-135

Farindokht Zahedi; Behrooz Mahmoodi-Bakhtiari; Saied Assadi

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• PDF 527.59 K

7. Dialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan

Pages 137-145

Assadollah Gholamali; Ali Sheikhmehdi

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• PDF 764.93 K

8. Phenomenological Approach to Perception of Audience in Puppet Theater

Pages 147-154

Mohammad Bagher Ghahremani; Poupak Azimpour Tabrizir; Somayeh Mirzahosseini

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• PDF 905.58 K

9. An Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera

Pages 155-167

Roham Shenassa

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• PDF 3.24 MB

10. English Abstracts

Pages 1-8

• Editorial
• PDF 548.1 K