Absurd TheatreAnalysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
AcculturationAnalysis of Persian Operettas of the Constitutional Era from the Perspective of Glocalizations
(Operettas: Rastakhiz'e Shahriaran'e Iran, Parichehr and Parizad, Elahe) [Volume 29, Issue 3, 2024, Pages 42-55]
AestheticAesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
AestheticsAesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey [Volume 29, Issue 4, 2024, Pages 65-78]
African American LiteratureLynching and its Representation in African American Drama:
Traumatic Memory in Sleep Deprivation Chamber and Rachel [Volume 29, Issue 3, 2024, Pages 18-29]
Akbar RadiComparative Analysis of Narrative Temporal Structure in the Dramatic Works of Bahram Beizai and Akbar Radi
(Research Cases: the Plays Afra and Khanomche va Mahtabi) [Volume 29, Issue 3, 2024, Pages 30-41]
Alain BadiouThe impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
AlienationAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
Al-Lahve-val-MalahiA Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
Al-MasoudiA Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
Anna Deavere SmithThe impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
Asghar FarhadiThe Function of Thresholds in Asghar Farhadi's Three Films
based on the Theories of Bakhtin and Kristeva [Volume 29, Issue 4, 2024, Pages 7-25]
AtmosphereThe Function of Surrealistic Paintings to Achieve Puppet Theatre Performing Ideas (case of study: Three works by René Magritte) [Volume 29, Issue 3, 2024, Pages 8-17]
B
Bahram BeizaiComparative Analysis of Narrative Temporal Structure in the Dramatic Works of Bahram Beizai and Akbar Radi
(Research Cases: the Plays Afra and Khanomche va Mahtabi) [Volume 29, Issue 3, 2024, Pages 30-41]
C
Certified CopyInvestigating the Interaction between Story and Narrative Discourse in Abbas Kiarostami's Cinema, with a focus on the Movie Certified Copy [Volume 29, Issue 4, 2024, Pages 41-51]
Christina WaldLynching and its Representation in African American Drama:
Traumatic Memory in Sleep Deprivation Chamber and Rachel [Volume 29, Issue 3, 2024, Pages 18-29]
Coco animationThe Dimensions of the Types of Death in Coco Animation Characters in Accordance with Heidegger's Views [Volume 29, Issue 3, 2024, Pages 56-67]
Collective TraumaLynching and its Representation in African American Drama:
Traumatic Memory in Sleep Deprivation Chamber and Rachel [Volume 29, Issue 3, 2024, Pages 18-29]
Content analysisImplementing the Qualitative Content Analysis in Character Based Films (Focusing on Freud's Theories and Hitchcock's Selected Films) [Volume 29, Issue 2, 2024, Pages 57-70]
Cornelia MuellerEmbodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
D
Dariush MehrjuiAesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
DesireAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
DianoiaDianoia: The Distinguishing Aspect of Ta'zieh from Tragedy [Volume 29, Issue 4, 2024, Pages 53-63]
DisabilityRepresentation of Disability in Animated Films as a Symbol of Identity Disorder, Focusing on the Movie I Lost My Body [Volume 29, Issue 2, 2024, Pages 45-56]
Disciplinary PowerInvisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [Volume 29, Issue 4, 2024, Pages 27-40]
E
Experimental AnimationAesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey [Volume 29, Issue 4, 2024, Pages 65-78]
F
FearThe Dimensions of the Types of Death in Coco Animation Characters in Accordance with Heidegger's Views [Volume 29, Issue 3, 2024, Pages 56-67]
Fereshteh-ye TarikhA New-historicism Reading of the Play Fereshteh-ye Tarikh by Mohammad Rezaee Rad; Fascism, an Exceptional Situation or a Rule [Volume 29, Issue 2, 2024, Pages 7-18]
FilmImplementing the Qualitative Content Analysis in Character Based Films (Focusing on Freud's Theories and Hitchcock's Selected Films) [Volume 29, Issue 2, 2024, Pages 57-70]
FilmfarsiGenre and Identity: A Comparative Study of the Role of National and Cultural Identity in the Development of Local Cinema Genres [Volume 29, Issue 3, 2024, Pages 68-80]
Five SensesDramatic Capabilities of Synesthesia Disorder with a Look at Ratatouille Animation [Volume 29, Issue 2, 2024, Pages 71-87]
FreudImplementing the Qualitative Content Analysis in Character Based Films (Focusing on Freud's Theories and Hitchcock's Selected Films) [Volume 29, Issue 2, 2024, Pages 57-70]
G
Gérard GenetteComparative Analysis of Narrative Temporal Structure in the Dramatic Works of Bahram Beizai and Akbar Radi
(Research Cases: the Plays Afra and Khanomche va Mahtabi) [Volume 29, Issue 3, 2024, Pages 30-41]
GestureEmbodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
GlobalizationAnalysis of Persian Operettas of the Constitutional Era from the Perspective of Glocalizations
(Operettas: Rastakhiz'e Shahriaran'e Iran, Parichehr and Parizad, Elahe) [Volume 29, Issue 3, 2024, Pages 42-55]
Good & EvilDianoia: The Distinguishing Aspect of Ta'zieh from Tragedy [Volume 29, Issue 4, 2024, Pages 53-63]
H
HitchcockImplementing the Qualitative Content Analysis in Character Based Films (Focusing on Freud's Theories and Hitchcock's Selected Films) [Volume 29, Issue 2, 2024, Pages 57-70]
HollywoodHollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model
A Case Study of The Thief of Bagdad (1940)
An Approach of Hollywood Production Design for the Arab World, based on the JDL Fusion Model: a case study of The Thief of Baghdad (1940) [Volume 29, Issue 2, 2024, Pages 19-28]
I
Ibn-e-KhardadabehA Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
IdentityRepresentation of Disability in Animated Films as a Symbol of Identity Disorder, Focusing on the Movie I Lost My Body [Volume 29, Issue 2, 2024, Pages 45-56]
IllustrationIllustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
I lost my bodyRepresentation of Disability in Animated Films as a Symbol of Identity Disorder, Focusing on the Movie I Lost My Body [Volume 29, Issue 2, 2024, Pages 45-56]
Invisible Trap (1979)Invisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [Volume 29, Issue 4, 2024, Pages 27-40]
J
Jacques LacanAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
JDL ModelHollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model
A Case Study of The Thief of Bagdad (1940)
An Approach of Hollywood Production Design for the Arab World, based on the JDL Fusion Model: a case study of The Thief of Baghdad (1940) [Volume 29, Issue 2, 2024, Pages 19-28]
John DeweyAesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey [Volume 29, Issue 4, 2024, Pages 65-78]
Julia KristevaThe Function of Thresholds in Asghar Farhadi's Three Films
based on the Theories of Bakhtin and Kristeva [Volume 29, Issue 4, 2024, Pages 7-25]
K
KereshmehRhythmic Variations of Kereshmeh in Pishdaramad’s of Darvish-Khan [Volume 29, Issue 4, 2024, Pages 79-91]
Kiarostami's cinemaInvestigating the Interaction between Story and Narrative Discourse in Abbas Kiarostami's Cinema, with a focus on the Movie Certified Copy [Volume 29, Issue 4, 2024, Pages 41-51]
L
LanguageAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
Local GenreGenre and Identity: A Comparative Study of the Role of National and Cultural Identity in the Development of Local Cinema Genres [Volume 29, Issue 3, 2024, Pages 68-80]
LynchingLynching and its Representation in African American Drama:
Traumatic Memory in Sleep Deprivation Chamber and Rachel [Volume 29, Issue 3, 2024, Pages 18-29]
M
Martin HeideggerThe Dimensions of the Types of Death in Coco Animation Characters in Accordance with Heidegger's Views [Volume 29, Issue 3, 2024, Pages 56-67]
Master TorabiEmbodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
Memory ImageAesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
Michel FoucaultInvisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [Volume 29, Issue 4, 2024, Pages 27-40]
MiguelThe Dimensions of the Types of Death in Coco Animation Characters in Accordance with Heidegger's Views [Volume 29, Issue 3, 2024, Pages 56-67]
Mike OliverRepresentation of Disability in Animated Films as a Symbol of Identity Disorder, Focusing on the Movie I Lost My Body [Volume 29, Issue 2, 2024, Pages 45-56]
Mikhail BakhtinIllustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
Mikhail BakhtinThe Function of Thresholds in Asghar Farhadi's Three Films
based on the Theories of Bakhtin and Kristeva [Volume 29, Issue 4, 2024, Pages 7-25]
Moruj-al-Zahb and Ma'aden-al-JawharA Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
N
NaqqaliEmbodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
Narrative DiscourseInvestigating the Interaction between Story and Narrative Discourse in Abbas Kiarostami's Cinema, with a focus on the Movie Certified Copy [Volume 29, Issue 4, 2024, Pages 41-51]
National CinemaGenre and Identity: A Comparative Study of the Role of National and Cultural Identity in the Development of Local Cinema Genres [Volume 29, Issue 3, 2024, Pages 68-80]
National IdentityGenre and Identity: A Comparative Study of the Role of National and Cultural Identity in the Development of Local Cinema Genres [Volume 29, Issue 3, 2024, Pages 68-80]
Neoformalist ApproachAesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
Neurological DisorderDramatic Capabilities of Synesthesia Disorder with a Look at Ratatouille Animation [Volume 29, Issue 2, 2024, Pages 71-87]
New-HistoricismA New-historicism Reading of the Play Fereshteh-ye Tarikh by Mohammad Rezaee Rad; Fascism, an Exceptional Situation or a Rule [Volume 29, Issue 2, 2024, Pages 7-18]
O
OperaAnalysis of Persian Operettas of the Constitutional Era from the Perspective of Glocalizations
(Operettas: Rastakhiz'e Shahriaran'e Iran, Parichehr and Parizad, Elahe) [Volume 29, Issue 3, 2024, Pages 42-55]
P
Pahlavi Surveillance SocietyInvisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [Volume 29, Issue 4, 2024, Pages 27-40]
PaintingThe Function of Surrealistic Paintings to Achieve Puppet Theatre Performing Ideas (case of study: Three works by René Magritte) [Volume 29, Issue 3, 2024, Pages 8-17]
Panopticon SurveillanceInvisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government [Volume 29, Issue 4, 2024, Pages 27-40]
Paul Thomas AndersonAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
Performance analysisAnalysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
Persian operettaAnalysis of Persian Operettas of the Constitutional Era from the Perspective of Glocalizations
(Operettas: Rastakhiz'e Shahriaran'e Iran, Parichehr and Parizad, Elahe) [Volume 29, Issue 3, 2024, Pages 42-55]
PersonalityImplementing the Qualitative Content Analysis in Character Based Films (Focusing on Freud's Theories and Hitchcock's Selected Films) [Volume 29, Issue 2, 2024, Pages 57-70]
PishdaramadRhythmic Variations of Kereshmeh in Pishdaramad’s of Darvish-Khan [Volume 29, Issue 4, 2024, Pages 79-91]
Popular cultureAesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey [Volume 29, Issue 4, 2024, Pages 65-78]
Production DesignHollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model
A Case Study of The Thief of Bagdad (1940)
An Approach of Hollywood Production Design for the Arab World, based on the JDL Fusion Model: a case study of The Thief of Baghdad (1940) [Volume 29, Issue 2, 2024, Pages 19-28]
Puppet TheatreThe Function of Surrealistic Paintings to Achieve Puppet Theatre Performing Ideas (case of study: Three works by René Magritte) [Volume 29, Issue 3, 2024, Pages 8-17]
R
RatatouilleDramatic Capabilities of Synesthesia Disorder with a Look at Ratatouille Animation [Volume 29, Issue 2, 2024, Pages 71-87]
RealityThe impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
Rene MagritteThe Function of Surrealistic Paintings to Achieve Puppet Theatre Performing Ideas (case of study: Three works by René Magritte) [Volume 29, Issue 3, 2024, Pages 8-17]
Rhythmic VariationsRhythmic Variations of Kereshmeh in Pishdaramad’s of Darvish-Khan [Volume 29, Issue 4, 2024, Pages 79-91]
S
Samuel BeckettAnalysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
Sassanid musical modesA Comparative Study of Two Musical Narratives Written by Ibn-e-Khardadbeh and Masoudi
Evidence Proving the Existence of a Pahlavid Text on Music under the Sasanid [Volume 29, Issue 1, 2024, Pages 71-81]
Semiotics of PerformanceAnalysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
Sohrab's DemiseEmbodied Narration in Naqqali: Exploring Body Movement through a Cognitive Linguistics Lens—A Case Study of Torabi's Performance in 'Sohrab's Demise' [Volume 29, Issue 1, 2024, Pages 17-28]
Stage MetaphorAnalysis of Theatrical metaphor and Stage Contracts in Absurdist Theater Performances; A Case Study of 'Krapp's Last Tape' and 'Endgame' Performances [Volume 29, Issue 1, 2024, Pages 7-16]
SurrealismThe Function of Surrealistic Paintings to Achieve Puppet Theatre Performing Ideas (case of study: Three works by René Magritte) [Volume 29, Issue 3, 2024, Pages 8-17]
Surrogate FamilyAnalysis of "Alienation" in Paul Thomas Anderson's Cinema with focus on Jacques Lacan’s Ideas [Volume 29, Issue 2, 2024, Pages 29-44]
T
Ta’ziyehDianoia: The Distinguishing Aspect of Ta'zieh from Tragedy [Volume 29, Issue 4, 2024, Pages 53-63]
The Pear TreeAesthetic Analysis of the Representation of Memory Images in the Film
The Pear Tree Based on Neo-formalist Approach [Volume 29, Issue 1, 2024, Pages 57-69]
Threshold PositionIllustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
ThresholdsThe Function of Thresholds in Asghar Farhadi's Three Films
based on the Theories of Bakhtin and Kristeva [Volume 29, Issue 4, 2024, Pages 7-25]
Trauma and TheatreLynching and its Representation in African American Drama:
Traumatic Memory in Sleep Deprivation Chamber and Rachel [Volume 29, Issue 3, 2024, Pages 18-29]
Truth ProductionThe impact of methods and technics of representing reality on the production of truth in documentary theater by examining the works of Anna Deaver Smith [Volume 29, Issue 1, 2024, Pages 29-40]
W
Walt Disney CompanyIllustration of the Main Female Characters in the Threshold Position: Selected Animations of Disney (2012-2021) [Volume 29, Issue 1, 2024, Pages 41-55]
Walter BenjaminA New-historicism Reading of the Play Fereshteh-ye Tarikh by Mohammad Rezaee Rad; Fascism, an Exceptional Situation or a Rule [Volume 29, Issue 2, 2024, Pages 7-18]
World of IslamHollywood Production Design Approach to the Arab World, Based on the JDL Fusion Model
A Case Study of The Thief of Bagdad (1940)
An Approach of Hollywood Production Design for the Arab World, based on the JDL Fusion Model: a case study of The Thief of Baghdad (1940) [Volume 29, Issue 2, 2024, Pages 19-28]