Actor's BodyDigital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
Artistic Use of PedalA Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
AudiencePhenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
B
Bayâte- Esfâhân“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
Became in PictureDevelopment of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
Becoming in PictureDevelopment of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
Bureaucratic Institution of EducationThe Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
C
CardboardHistory of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
Christian CannabichThe Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
CoherencyAn Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
Compositional TechniquesAn Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
Cultural CapitalThe Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
D
Damper PedalA Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
Darâmad“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
DastgāhAn Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
Dialogic MomentsDevelopment of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
DialogismDialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
Digital SpacesDigital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
Dionysus OperaAn Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
DodecaphonyAn Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
E
Ebrahim GolestanDialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
Educational CapitalThe Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
ExpressionistA Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
G
Generative PoleAn Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
H
HarmonyAn Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
Hearing InstinctA Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
I
Illusionistic EnvironmentDigital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
Intervallic StructureAn Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
Iran MusicMusic Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
J
Johann StamitzThe Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
K
Khesht va AyenehDialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
M
Making InstrumentA Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
Making TarA Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
Mannheim SchoolThe Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
Mathis der Maler Symphnoy and OperaA Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
Matthias GrünewaldA Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
Melodic Progression (Seyir)“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
Mikhail BakhtinDialogism in the Movie of the Brick and Mirror (Khesht va Ayeneh) (1965) by Ebrahim Golestan [Volume 22, Issue 2, 2017, Pages 137-145]
Mode“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
ModeAn Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
Motion PictureDigital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
MottosAn Introduction to Intervallic Organization and Dodecaphonic Approach in Shostakovich's Music [Volume 22, Issue 1, 2017, Pages 35-40]
Mozart’s Piano SonatasThe Influences of Mannheim School on Mozart’s Piano Sonatas K. 309 and K. 311 [Volume 22, Issue 1, 2017, Pages 71-80]
Music EffectMusic Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
Music Epistles AncientMusic Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
Music Therapy in Iran AncientMusic Therapy Dimensions in the Science of Ancient Iranian—Islamic Music
Music Epistles from the 3rd to 13th Centuries A.H. [Volume 22, Issue 1, 2017, Pages 23-34]
N
NeoclassicA Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
New Iranian TheatreThe Role of New Schooling System of Reza Shah Era as a Bureaucratic Institution in the Legitimacy of the New Iranian Theatre [Volume 22, Issue 2, 2017, Pages 125-135]
Non-Narrative ElementsNon-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
P
PaperHistory of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
Paper StatuetteHistory of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
Papier-MâchéHistory of Making Papier-Mâché and Paper Figures in Iranian Culture range based on written references [Volume 22, Issue 1, 2017, Pages 51-58]
Parametric NarrationNon-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
Paul HindemithA Study on the Role of Grünewald and his Works on the Opera and Symphony of Matthias the Painter by Hindemith [Volume 22, Issue 1, 2017, Pages 5-14]
PedagogyA Study of Pedaling in Piano Performance with a Review of Pedagogy in Iranian Academic Education [Volume 22, Issue 1, 2017, Pages 15-22]
PerceptionPhenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
Persian Classical Music“Seyir” in Persian Classical Music (Case Study: Darâmad-e Avâz-e bayâte- Esfahân) [Volume 22, Issue 2, 2017, Pages 81-91]
PlotNon-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
PuppetryPhenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
S
SegāhAn Approach to Harmonizing Based on the Structure of Intervals in the Dāstgah Segāh [Volume 22, Issue 2, 2017, Pages 115-123]
SerialismNon-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
Shot/Reverse ShotDevelopment of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
SoundspaceAn Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
Style DevicesNon-narrative Elements in Narrative Film
(Case Studies: Late Spring and Chungking Express) [Volume 22, Issue 1, 2017, Pages 41-50]
T
TarA Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
Telematics TechnologyDigital Spaces and Tradition of Creating Illusionistic Environments in Western Contemporary Theater Scenography [Volume 22, Issue 1, 2017, Pages 59-70]
TemplateA Comparative Study of Tar Making Templates in Iran [Volume 22, Issue 2, 2017, Pages 93-101]
TheaterPhenomenological Approach to Perception of Audience in Puppet Theater [Volume 22, Issue 2, 2017, Pages 147-154]
V
Visual AestheticsDevelopment of Visual Expression in Dialogic Moments of Iranian Cinema over the Period 2001-2011 [Volume 22, Issue 2, 2017, Pages 103-114]
W
Wolfgang RihmAn Analysis of Compositional Techniques in Wolfgang Rihm’s Dionysus Opera [Volume 22, Issue 2, 2017, Pages 155-167]
