AeschylusPolitical Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
Akbar RadiLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
AreopagusPolitical Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
B
Bahram BeizaiHistoriographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
Bayât-e TehrânThe Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
C
Caryl ChurchillLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
ChâhârpâreThe Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
Court and MusicMusic in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
D
Dâsh MashdiThe Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
DeframingAestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
DiegesisDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
DureeBeing, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
E
East of EnglandLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
European ClassicismWith Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
ExpressionA Study of Expressive Meta-Morph Technique in Representation of the Poetical Imagination [Volume 21, Issue 2, 2016, Pages 25-32]
F
FenLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
FluteAural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
FramingAestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
G
Ghaznavid MusicMusic in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
GilanLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
Gilles DeleuzeBeing, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
H
Henri BergsonBeing, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
Historiographical Meta FictionHistoriographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
I
In GroupsThe Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
Iranian DramaDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
K
Karna and the Variety of KarnaThe Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
KuchebâghiThe Ghazal-khâni and Its Place in Iranian Musical Culture [Volume 21, Issue 2, 2016, Pages 69-76]
L
LoulianMusic in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
M
Madare Sefr DarajehWith Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
Marg dar PaeezLocal Color from Marg dar Paeez (Death in Autumn) to Fen
Parallelism in Regional Dramas of Akbar Radi and Caryl Churchill [Volume 21, Issue 2, 2016, Pages 33-40]
Martial Musical Instruments in MiniaturesThe Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
Martial Musical Instruments in the History of IranThe Role of Music in Wars and Different Kinds of Martial Musical Instruments in Islamic Era of Iran Regarding Miniature Paintings [Volume 21, Issue 1, 2016, Pages 65-76]
MimesisDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
Movement-ImageBeing, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
Musical SystemMusic in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
Music Consumers BehaviorInfluential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
Music Consumption BehaviorInfluential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
Music MarketingInfluential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
Music ProcurementInfluential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
Music Procurement BehaviorInfluential Factors on Consumer Behavior in Music Procurement [Volume 21, Issue 1, 2016, Pages 77-84]
MusitionMusic in Ghaznavid Period [Volume 21, Issue 2, 2016, Pages 63-68]
N
NaghaliDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
NarratologyDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
O
Off-Screen SpaceAestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
Olivier MessiaenRhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
OresteiaPolitical Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
Out GroupsThe Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
P
Pahlavi ArchitectureWith Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
Paris ConservatoryAural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
PedagogyAural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
Political TemperancePolitical Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
PostmodernismHistoriographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
R
Rational ContrivancePolitical Temperance and Rational Contrivance in the Oresteia Trilogy by Aeschylus: Reflecting on the Problem of Areopagus [Volume 21, Issue 2, 2016, Pages 41-52]
Regard de l’Eglise d’amourRhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
Regard du PereRhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
S
ShakespeareThe Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
ShylockThe Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]
SoundAural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
T
Tehran StyleWith Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
Television Production DesignWith Specific Study of "Madar Sefr Darageh" TV Series based on Dr. Seyed Mohsen Habibi's Theory about Pahlavi I Dynasty Architecture [Volume 21, Issue 1, 2016, Pages 1-13]
Time-ImageBeing, Time and Cinema
A Study of the Philosophy of Henri Bergson on Gilles Deleuze's Philosophy of Cinema [Volume 21, Issue 1, 2016, Pages 35-50]
Tone ProductionAural Parameters in the Pedagogy of Flute Performance [Volume 21, Issue 2, 2016, Pages 53-62]
Trilateral Reading of AzhdehakHistoriographical Meta Fiction in Bahram Beizaie “Trilateral Reading of Azhdehak” [Volume 21, Issue 1, 2016, Pages 25-33]
T’ziyehDevelopment of Iranian Performance from a Diegetic World [Volume 21, Issue 2, 2016, Pages 15-24]
V
Vingt RegardsRhythmic and Harmonic Analysis of the First and the Last Piece of Vingt Regardes Collection by Olivier Messeain [Volume 21, Issue 1, 2016, Pages 51-64]
Visual AestheticsAestheticism of Framing and Deframing in Iranian Cinema 2001-2011 [Volume 21, Issue 2, 2016, Pages 5-14]
X
Xenophobia PhenomenonThe Xenophobia Phenomenon Reflected in Shakespeare’s “The Merchant of Venice” [Volume 21, Issue 1, 2016, Pages 15-24]