A
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Amini, Rahmat
The Aporia of Reality/Imagination: Uncertainty in Selected Iranian Monodramas and Surrealist Dramas [Volume 30, Issue 2, 2025, Pages 7-18]
B
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Beheshti, Setareh
A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
D
-
Dadkhah Tehrani, Maryam
The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
-
Dibazar, Hamidreza
A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
F
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Fakhr, Iman
A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
G
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Ghahramani, Mohammad Bagher
The Aporia of Reality/Imagination: Uncertainty in Selected Iranian Monodramas and Surrealist Dramas [Volume 30, Issue 2, 2025, Pages 7-18]
-
Gharehjehdaghi, Mehdi
Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
-
Goudarzi, Mostafa
Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
H
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Hamed Saghian, Mehdi
The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare:
Regarding the Element of Present in the Ideas of Jan Katt works
(Case Study The Tempest and The Tragedy of Hamlet) [Volume 30, Issue 1, 2025, Pages 31-43]
K
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Kashfi, Zahra
Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
-
Khiali, Nima
A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
M
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Mahdaviseresht, Ali
A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi [Volume 30, Issue 2, 2025, Pages 43-56]
-
Mahmoodi Bakhtiari, Behrooz
The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
-
Majidi, saeed
A Unified Perspective on Musical Structure: Applying Agawu's Theory to Divergent Interpretations of Form in Mendelssohn's Violin Concerto [Volume 30, Issue 1, 2025, Pages 71-80]
-
Meshginghalam, Sahar
The Aporia of Reality/Imagination: Uncertainty in Selected Iranian Monodramas and Surrealist Dramas [Volume 30, Issue 2, 2025, Pages 7-18]
-
Mohammadi Kalesar, Alireza
The Pattern of Scansion of Poetry in Davami’s Vocal Radif [Volume 30, Issue 2, 2025, Pages 31-42]
-
Momken, Hamed
The Structures of Fancy in Big Fish
Directed by Tim Burton, Emphasizing the Opinions of Gilbert Durand [Volume 30, Issue 1, 2025, Pages 45-60]
N
-
Naghashzadeh, Masoud
Investigating approaches and policies for film financing: a case study of financing in the Chinese film industry [Volume 30, Issue 2, 2025, Pages 57-70]
S
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Sarsangi, Majid
The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
-
Seraji, Soheil
Studying the Meaning of Cinematic Techniques Through Experimental Approach: Introducing the Semantic Spectrum Model [Volume 30, Issue 2, 2025, Pages 71-81]
T
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Taheri, Sadreddin
Phenomenological Analysis of the Representation of Abnormal Bodies in Plays: House, Winter 66, Honeymoon, and Dog's Heart [Volume 30, Issue 2, 2025, Pages 19-30]
Z
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Zare, Niloofar
The Emergence of Romantic Drama and Its First Self-Conscious Manifestation in Iranian Theater: A Study of "The Fate of Parviz" by Ali Mohammad Khan Oveysi and "Shiudosh and Naheed" by Mirza Abu al-Hassan Khan Foroughi [Volume 30, Issue 1, 2025, Pages 7-18]
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