Alfred SchnittkeCommon-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
AntigoneThe Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
ArchetypeA Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
B
BathroomSpace and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
C
Coffee ShopSpace and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
Common ThirdCommon-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
Conscience MalheureuseThe Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
F
Foundation for Preservation and Publication of Sacred Defense ValuesQualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
H
HappeningDesigning a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
Historical DestinyThe Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
I
Iraq&Iran WarQualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
J
JungA Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
L
Le visage d’OrphéeA Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
M
MujannabRetracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
MutlaghRetracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
O
Olivier PyA Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
P
Persian Sport ClubSpace and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
PlatformSpace and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
PolychordCommon-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
R
ReligionA Mythological Analysis of Le visage d’Orphée by Olivier Py [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 63-70]
S
Sacred Defense TheatreQualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
Sophocles'The Reflection of Hegel’s Thought in Sophocles’ Antigun [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 47-54]
Stage DesignDesigning a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
Style of PerformanceDesigning a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
T
TarighRetracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
Thaghil al-AwwalRetracing the Origin of Two Pieces from the Old Arab School for “Oud” [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 5-14]
Theatre of WarQualitative and Quantitative Evaluation of Productions of Sacred Defense Theatre in Iran
(Concerning Activities of “the Revolution and Sacred Defense Theatre Association”) [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 35-44]
The Horses in the Sky Pour Ashes.Designing a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]
Traditional-Religious ShowsSpace and Location Designing in Traditional-Religious Shows of Iran; A Proposed study [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 23-34]
TriadCommon-Third Triad Pairs in the Music of Alfred Schnittke [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 15-22]
U
UnconsciousnessDesigning a Method of Scenography with Concentration on Unconsciousness
Happening Stage Designing [Volume 17, 1(بهاروتابستان 1391), 2013, Pages 55-62]