In this research the relationship between objects and dramatic characters in Arthur miller plays Elegy for a Lady and The Price according to Baudrillards world of objects is investigated. Baudrillards classification of the world of objects it I in the following four macro forms. 1.mediating objects 2. presence and absence of objects. 3. owner ship of objects 4. play objects By representing the field of possible worlds in hyperreality common platforms are established between the world of Baudrillards objects and the dramatic world. The presence of objects in plays as a world in connection with characters in incarnation on stage and in the form of words is desired.

These Objects in non-functional form in the Home Space Become complicit with the characters, and in the majority of gift, old, mythical, buying and selling objects go beyond the current reality and in the mental fields, they become a form of game in They realize that it leads to birth and death, of twins, their appearance and it is a proof of their dramatic nature.

In this situation, objects at the intersection with the world find dramatic characters. They can give physicality to narratives and characters instead of absent characters. Objects in the plays lament for a lady and Arthur Miller price are read with such an approach. The purpose of this reading is to reach a form of life around the objects of these dramatic work. So that they come into play as dramatic characters regardless of time, in the text and on the stage.

The ultimate goal is to achieve dramatic character through the objects on the stage. What remains unknown is how this relationship is. How objects become dramatic characters. How this transformation is considered from Baudrillards perspective.

Jean Baudrillard presents his approach to objects in his collection of works. A problem that makes access to baudrillards word a complicated matter. As a possibility of life and existence of objects.

Above all, in Baudrillds world, the reality that it establishes is examined. The structure of Baudrillards world and his world of objects, due to their adaptation to the structures of the dramatic world, has already e stablished its relationship with the dramatic world.

The common contexts of the life of Baudrillards dramatic text and objects maks it possible to read the complexities. So that these possible worlds can be decoded in dramatic words.

Possible worlds that lead to the creation of a new hypothetical worlds for the dramatic work. (how to transform objects into characters expands.)

They are studied from the point of view that the objects reflect the characters of the show. These objects acquire a social role by leaving abstraction and placing the hyperreal field. A type of interaction between people and objects through visual effects narration and dialogue (conversation) in timelessness it recreates amental space. By accepting in finite structural permutations they create dramatic possible worlds and by leaving physicality they take a human form can be considered as human characters.